Tanya Palmer is a dramaturg and playwright. Her plays include Body Talk, Fatherland, Barbra Live at Canyon Ranch, Spring and Trash and The Memory Tour, and have been developed or produced at Actors Theatre of Louisville, The Hangar Theatre, Solar Stage, the Montreal Fringe Festival, The Harbourfront Centre, HERE and Pivot Arts, and published by Smith & Kraus, Samuel French and Playscripts, Inc. She has been the Director of New Play Development at Goodman Theatre for 14 seasons, where she coordinates New Stages, the theater’s new play program, and she has served as the production dramaturg on a number of plays including the world premieres of 2666 by Roberto Bolaño, adapted and directed by Seth Bockley and Robert Falls; Smokefall by Noah Haidle, The Happiest Song Plays Last by Quiara Hudes and the Pulitzer Prize–winning Ruined by Lynn Nottage. Prior to her arrival in Chicago, she served as the director of new play development at Actors Theatre of Louisville, where she led the reading and selection process for the Humana Festival of New American Plays. She is the co-editor, with Amy Wegener and Adrien-Alice Hansel, of four collections of Humana Festival plays, published by Smith & Kraus, as well as two collections of 10-minute plays published by Samuel French. Originally from Calgary, Alberta, Canada, she holds an MFA in playwriting from York University in Toronto and lives with her husband Jim and their kids, Harper and Theo.